The Failure of Men (looking for a model)

Since early days I had an interest and love of songs, song writing and the songwriters art. From David’s psalms where the tunes have been lost, to Bob Dylan, who epitomises the pinnacle in contemporary song writing and whose work has so far not yet been eclipsed.  Many people have written good songs but few have produced consistently good material. Many of the singer songwriters I have admired have been women. From the soft and lyrical, country voices caressing words to the biting snarl of pent up rage. Singer songwriters like:  Sinéad O’Connor, Nanci Griffith, Mary Chapin Carpenter, Pat Benetar, Bebe,  Souad Massi, Coco Mbassi, Suzanne Vega, Charlott Dipande and others .  Many of these write and perform songs which often display their deep dissatisfaction with the men in their lives and with men in general. Sometimes it is wistful disappointment in “He never will need me” to the savage “Malo malo malo eres ”. I was always curios why I, as a man, should be drawn to this material.  Why would I choose to hear my gender mocked and savagely ridiculed?  Why would I be drawn in the way that some men are drawn to the strand of pornography which show men being humiliated by women in feminine dominant sadomasochism scenarios .  It took me some time to realise that I shared in this frustration in this disappointment with men and this inevitably meant with myself. I too was frustrated with the way we were and how far we fell short of what we should or could be.  But to have a sense of disappointment you must have a standard or a model you can aspire to. You must have a vision of something better.  What was it?

I had many male models to admire friends and colleagues and leaders in society and in the world. I had three older brothers who I looked up to and through whom I learned: the desire for exploration and finding out, the beauty of hard work and order and doing things well, the constant pushing beyond the obvious of what we were told to the other side of the argument, the cynics art of lifting the lid on pretentions and self-authority and, I had my father.  On the long walk homes from Cleadale in the dark after visiting a home with tea and scones he would tell stories, or round the Raeburn in a morning, when there was time, he would read from the bible and excite us with tales of David or Paul.  It was in the way he told the stories that I knew that he admired these men in their courage and commitment, despite all their obvious flaws.  In the same way as he was excited and drawn to the lives of these men, I was most affected not as much by what my father said, as by what he did. His commitment was all the way. Once set on the path He was never half hearted. Even when he insisted on praying publicly and giving thanks to God for a meal in a crowded fish and chip shop, to the embarrassment of his children,you could not but admire someone who was not afraid of ridicule or shame in the eyes of others.  He was not as the Scottish Paraphrase puts it “ashamed to own my lord or to defend his cause”.  I often sung that in church uncomfortably thinking that I would be a little ashamed at times. He didn’t ever seem to be. Later I discovered the character Job, specifically; when he describes the kind of role he had in his community. Reading this through a 21st century lens, with our twisted sense of humility, it might seem a little arrogant, but pride would have been furthest from him when he longed for the days past that had been taken from him so cruelly:

“When I went to the gate of the city
    and took my seat in the public square,
 the young men saw me and stepped aside
    and the old men rose to their feet;
 the chief men refrained from speaking
    and covered their mouths with their hands;
 the voices of the nobles were hushed,
    and their tongues stuck to the roof of their mouths.
 Whoever heard me spoke well of me,
    and those who saw me commended me,
 because I rescued the poor who cried for help,
    and the fatherless who had none to assist them.
The one who was dying blessed me;
    I made the widow’s heart sing.
 I put on righteousness as my clothing;
    justice was my robe and my turban.
 I was eyes to the blind
    and feet to the lame.
 I was a father to the needy;
    I took up the case of the stranger.
 I broke the fangs of the wicked
    and snatched the victims from their teeth.

Here I thought was an example, a model to follow. The respect he had was not because of his position or his wealth or his skills of gifts but because he rescued the poor cared for the orphans and promised the dying man that he would look after his widow. He took up the case of those who couldn’t and if this required boldness and firmness and necessary force against the wicked who caused the suffering he would not hesitate.  He was neither a macho misogynist nor a soft in the middle new man. His was a life to emulate. Here was model to follow.

Crawford Mackenzie

Desert Island Youtubes

 

I wonder if Roy Plomley  could have possibly imagined, when he devised his radio programme in 1942, that it would continue for 70 plus years and become a British institution. While LPs replaced gramophone records which, in turn, were replaced with CDs and MP3s the format of the programme has remained unchanged with an endless list of musicians, artist, writers, politicians, comedians and celebrities, all willing to share their life story in the context of a selection of music. I will never be a guest, so leaving out the life story and the potted psychology; this is my fantasy list of records, but, with a twist. When I land on this desert Island I have been able to salvage a pen drive with 8 YouTube videos and a solar operated device to play them on. This is my selection:

1 The Kinks  “You really got me” https://www.youtube.com/watch?v=-2GmzyeeXnQ  As a young teenager I missed out on Elvis, Buddy Holly, Bill Haley, Jelly Lee Lewis and all the other early rockers. I couldn’t get fired up by Cliff Richard and even the early Beatles passed me bye.  I hated the adulation they received and when I was asked to give a talk in 2nd year English class, chose my dislike for the Beatles as the subject, explaining how I found their music simple, their words childish and how I much preferred to listen to Beethoven and Brahms on the radio. The teacher humorously offered me armed protection so that I could leave the room without being molested. But it was the Kinks who really got me.  I remember that lunchtime in the school gym where the prefects were allowed a record player and one of the singles, that the boys produced, touched a rhythmical nerve. It was that da-di-di-da-di—– da and the vocal a split second ahead of the riff.  I remember walking down the long corridor to class afterwards with the beat still thumbing away in my head, never to be forgotten.

2 Joe Cocker “Summer in the City” https://www.youtube.com/watch?v=6Hxz6qJi-9kWhen the Loving Spoonful first came on the scene it was summer. It always seemed to be summer. There was something magically light and funny and joyful about their songs. It fitted with the long summer days outside on the grass, during exam breaks, or wrapped around the sports ground as other strained every muscle on the field. It was the expectation of a long holiday and the songs fitted the mood perfectly. None more so that ”Daydream”  https://www.youtube.com/watch?v=z9afV7h-XkU&list=RDBU8COHUrGi0&index=0 which John Sebastian could play solo without losing much from the sound of the full band. Summer in the city had an altogether different feel. The summer had moved from suburbia to the heart of the city, sticky and hot with the promise of the cool evening and endless parties. John Sebastian was interested in how Aaron Copeland used the orchestra to create city sounds and he decided to use real recordings of street traffic. This was taken one step further in the video made for Joe cocker’s version.

3 Bob Dylan  “Knocking on heaven’s door” https://www.youtube.com/watch?v=-jPg2M1UYgUDespite its popularity with every strumming busker and street musician, for me  “Knocking on heaven’s door” has never been one of Bob Dylan’s greatest songs, by a long shot, but this performance with Tom Petty is very special.  The whole sense of the live sound is captured with a magnificent harmonica introduction almost interrupted with Stan lynch premature roll on the drums which Dylan stays with an outstretched hand. Benmont Tench does some fine work on the piano, but it is a whole.

4 Peter Paul and Mary  Early Morning Rain”  https://www.youtube.com/watch?v=0OCnHNk2Hac  Mary Travis, who like so many gifted singers, has sadly gone from us, provided the spark and tension to an otherwise plain Peter and Paul.  While Peter Yarrow and Paul Stookey provide the solid base of the songs with tight clinical guitar work, flawless vocals and harmonies, it is Mary Travis who is the wild card. Standing often on the edge, to the side, she creeps into stir the song and creates an unnerving tension that is riveting. She moves dances and sings like an exotic bird with harmonies that makes your hair stand on end. This comes over so well in the video recordings of a “Tonight in person”. These include the republican “Rising of the moon”   https://www.youtube.com/watch?v=2Q_xacXFwq0  (long before the troubles) and the light hearted gospel Jane Jane https://www.youtube.com/watch?v=zgPjgQBHEeA. But it is Gordon Lightfoot’s “early morning rain” which for me is the pinnacle.   The song, itself, meant a lot to me, reminding me, as it did, of the time I missed the plane home from Glasgow Airport in the summer of 1967.    The line “she’ll be flying o’er my home in about three hours’ time” makes me choke a little.  Listening to how these three played together, recently, made me aware that our set up with “The Weather’s Hand” was much like this and perhaps there was something subconsciously going on there.

Bert Jansch “Blues run the Game”  https://www.youtube.com/watch?v=4MO_Xxq3LVw&list=RDtpBxDDwbzBk The first LP I purchased was Bert Jansh’s debut album recorded in 1965, on a reel to reel tape recorder with a borrowed guitar for which he was paid £100. I had to borrow a record player to listen to it. I could not believe that what I was hearing came from a single guitar, there seemed to be so much going on at the same time and I have spent a good part of 40+years trying to emulate the style. I saw Bert once live at a concert at the Lemon Tree and he was his characteristically unassuming self, on a simple stage, plugging in his guitar and fixing the microphone like he was a complete novice. Yet most guitarists will say that they owe most to him. He was shy about the limelight and said that he would rather be propping up some bar somewhere. Sadly he got that wish, drink all but destroyed him and possibly led to his premature death.  This is just one example of many.

6 Karen Matheson and  Paul Brady “Ae Fond Kiss”     https://www.youtube.com/watch?v=bWzXTebD5X0 The transatlantic sessions produced some wonderful collaborations from musicians across the world and the filming of these, catches that wonderful sense of the players simply getting together in someone’s living room playing so beautifully and sensitively. To my mind some of these are almost perfect: Mary Black on Richard Thompson’s “farwell farewell” https://www.youtube.com/watch?v=B-tiGvMqpU8, with Michelle Wright, Iris DeMent and  Mairead Ni Mhaonaigh on “Will the circle be unbroken”https://www.youtube.com/watch?v=KB1-1zuDGJ0, but my favourite highlight is Karen Matheson and Paul Brady on Burn’s “Aye fond Kiss”. I was never a fan of Burns and hated this song as I associated it with the stilted formalised style of Kenneth McKellar and more recently Fiona Kennedy and Susan Boyle. The Corries tried to make it more folky, but that was less than convincing.  Micheal Marra, Dougie MacLean and Eddi Reader have added their own twist to it, to lots of acclaim, but they come nowhere near the authenticity of what Karen Matehson and Paul Brady’s do with the song. The balance and restraint of Donald Shaw’s piano, Aly Bain’s fiddle pulling it away and just a touch on Gerry Douglas steel guitar. The way the key descends and ascends to suit the voices matches the theme perfectly especially when they come together in harmony for the last two verses. When Paul Brady comes in with the whistle, behind the line, you know you are in on something special. It all sounds like it has just fallen together which belies the mastery of the musicians. The singing is so convincing you would think they were the lovers who the song was about.

7 Nanci Griffith “If these old walls could speak” https://www.youtube.com/watch?v=x44bwDKn0sg A friend introduced me to Nanci Griffith as the face of new country and her album “little love affairs”.  I was immediately a fan.  It was the combination of her song writing craft and her singing, in the way that she could caress the words as well as deliver them with a snarl that caught me.  I have had most of her albums and watched her in concert a number of times. She has the great gift of inhabiting a song, often material by others. Her versions of Julie Gold’s “From a distance”, which she made her own, and Stephen Foster’s “Hard times” are among some of the finest. But the song which haunts me is Amy Grants’ “If these walls could speak” (if you can ignore the strange and untypical fashion statement)

8 Marilyn Marshall “ Front Line Believer” https://www.youtube.com/watch?v=dmuLFfNLeHs Marilyn recorded this, possibly one of her finest songs, in the last album by The Weavers Hand in1999. She had been moved by the stories she was reading of the Andean Christians who were caught in the crossfire during the civil war in Peru during the time of the “Shining Path” in the 80s and 90s. In this time pastors were specifically targeted and many were murdered. Sometime whole church congregations were massacred in the course of the revolutionary’s brutal aims. Christians in the Ayacucho province lived in constant fear, waiting on a knock on the door, in the dark of the night and this song captures this grim reality and the futility of the movement which was unable to see “The light of true salvation”   

Crawford Mackenzie

I am not ashamed

cell

Sin is a troublesome word. Like so many words in our vocabulary its meaning changes over time it mutates and takes on other baggage and selective nuances so that it can mean quite different things to different people.  Preachers and communicators of the bible often struggle with this and try hard to find a new word or words that would resonant better with the original meaning. Rebellion is one, missing the mark and being messed up, are others. The problem, of course, is the word itself and the idea it imparts. It is offensive. It is the implicit suggestion that there is something wrong with us – whoever we are. That cuts to the core of our self.  It is a blasphemy against the ego.  It is strange that there is such a revulsion against this approach when we are very relaxed about using the same approach with other more acceptable wrongs.  The first step on the recovery from drug addiction, alcoholism, sexual offending, or any socially recognised disorder, is to admit it.  No one has any problem with that. Yet we have enormous difficulty in owning up to this core problem.  Preachers, who have tried to avoid the issue for fear of coming over too censorious or self-righteous, or worried that it presents too bleak and pessimistic a view of humanity, have not helped either.  The focusing on nice things like the celebration of love and positive affirmative strokes, to the ignoring of this essential truth in the Christian faith, has been disastrous.  Because acknowledging the reality of sin is one of the most liberating and essential parts of the good news.  Now we understand that there is a reason for the way things are. And that must be good to know. Pretending that there isn’t a problem or that it is one that with enough willpower and the right conditions we can overcome is pure fantasy. The Gospel, on the other hand, exposes the problem and reveals the solution. But of course it is not the small slightly naughty unimportant thing that it is so often made out to be. It is not just about making bad decisions or errors of judgement it is deadly serious, more than deadly serious. Sin at its core is a vile, corrupting and corrosive thing. It is not good. It is destructive and left to its own will continue to degenerate and destroy all and everything in its path, everything that is good. It contaminates everything and seeps through the personal, the social and the institutional. It is that bad. It is that serious.

This, of course, begs the question, if it is that bad why has it not destroyed good already after all it has had plenty of time to do that and yet good still seems to survive.   Many, I suspect, would believe that it is because humanity is essentially good, that evil with all its manifestations is a temporary blip and that in time this unfortunate character trait will be resigned to history.  But, to hold on to this view must take extraordinary faith and a remarkably optimistic view of human nature without any real evidence to support it.   The reason, I believe, good continues to survive, is because ultimately it is to do with God. He is good and merciful  and he has put in place at certain times restrictions so that we do not yet destroy ourselves -The angels with the flaming swords at the garden, the confusing of the languages and scattering of the people on Shinar’s plane, the flood and other events throughout history. He also chose a man and a family and a people to be witness of him and tell the world. He gave them the law in the Ten Commandments and other regulations to help them in their approach to him and in how they relate to each other. Finally he promised and sent his son, who would be the one who would reconcile people to himself and once and for all deal with the problem of sin.

Last night I was sitting with the small group of internationals, who meet each week in our home. They come from countries in all parts of the world, with backgrounds in all types and shades of faith. It is a precious moment in the week.  After sharing a meal, we spend the time reading, studying and discussing the bible. We had just begun to read through Paul’s letter to the church in Rome and it is hard to describe the sense of joy and liberation as we touched base with the cosmic reality of the Gospel of Jesus Christ.  The dawning of this truth is like a massive door being opened to let light flood into a stale and dingy room and we could understand why Paul was able to say “I am not ashamed of the Gospel for it is the power of God for the salvation of everyone who believes”.

Crawford Mackenzie